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Nurturing a Global Sisterhood of Conservation Leaders

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A group of women outside gathered in a circle with raised arms.

During Nature’s Leading Women 2024, over 60 women from across the globe united around conservation, culture and community.

Text by Bronwen Butler

NLW 2024 closing ceremony Closing ceremony for the 2024 Nature's Leading Women gathering. © Nikita Pere

How many hours does it take to design and implement a week-long, multi-faceted, multi-city and multi-cultural conservation leadership and learning exchange?

8,760 hours–and then some.

After more than a year of planning, 60 community partners, The Nature Conservancy (TNC) staff and guests, hailing from Tasmania to Texas, came together in Queensland and New South Wales, Australia, for the 2024 Nature’s Leading Women (NLW) Gathering in December 2024. I was lucky enough to be one of them.

Based in Cavanbah (Byron Bay) on Arakwal Country, Australia, the week-long convening was designed as a learning exchange for women leaders in climate and conservation work, including TNC staff and Indigenous women working at a grassroots level across Australia, Aotearoa, Solomon Islands, Papua New Guinea, Kenya, Tanzania, Indonesia and Micronesia.

To celebrate this ongoing global movement, we invite you to enjoy a digital diary of the week’s highlights and meet the women who are leading conservation and climate action around the world.

Watch the Nature’s Leading Women Recap

Nature’s Leading Women (5:06) In November 2024, more than 60 women from 12 countries across the Asia Pacific region and Africa gathered in Byron Bay, Australia, for the second Nature’s Leading Women event.

Drawing Connections

We kicked off the week about 165 km north of Cavanbah Bay, in Meanjin—aka Brisbane, Queensland, with a day of formal programming and introductions at the State Library of Queensland and a get-to-know-you dinner at the TNC office. We also spent time touring the 11th Asia Pacific Triennial of Contemporary Art, the flagship exhibition for Brisbane’s Queensland Art Gallery | Gallery of Modern Art.

KAWAKI, a group TNC has actively supported and collaborated with since 2016, was invited to be part of the exhibition, which featured more than 70 artists and installations from 30+ countries.

KAWAKI worked with Solomon Islands art collective, Dreamcast Theatre, to create Kuza Ni Tege—an immersive audio-visual space featuring three natural resources that the group’s organizing communities of Katupika, Wagina and Kia consider vital: Kuza, the bark of a tree threatened by logging in Katupika; the coconut tree, “Ni,” utilized by people in Wagina; and “Tege,” which translates to “turtle.” They also performed as part of the exhibition’s opening weekend.

Dilly Maezama

Dilly Maezama, from KAWAKI, shares her perspective on the gallery performance.

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It’s exciting and it’s emotional too, because I recall my story back home, and I think about my parents, my grandparents who always do those activities, and some of them are gone already, some of them are still present, and their stories are out here.

And how does it feel being able to perform your stories for people and really move them in the art space, really touch their hearts through your performance? How does that make you feel?

I feel that my stories have value with the nature, the land, the ocean that we are living with.

Connecting on Country

One of the first things I noticed while trapsing through the New South Wales bush was the surround-sound of cicadas: The persistent buzzing built to an overwhelming crescendo in my ears, like wind rushing through the windows of a speeding car.

The cicada drone combined with birds, frogs and other sounds of nature, enveloping us at the Cavanbah rainforest property that served as our home base. The natural harmonies were also the perfect backdrop for Bundjalung woman Delta Kay’s Welcome to Country, in which she described her abiding connection to the land.

Delta Kay

Learn from Delta Kay about the land we stayed on—Tallow Creek and the surrounding woods —her “grandmother’s supermarket.”

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This is grandmother’s supermarket, and this creek, Tallow Creek, is where grandmother was born and raised by her parents. She buried her parents just a couple of doors down, and there’s a resort on the burial site now, so we’ve got to make sure that we ask permission to go in and visit our people. Grandmother moved down the end of the creek at the mouth of the creek that flows into the ocean, and that’s where she born and raised her 13 children. My mum is number nine, and mum has fond memories of walking along this beautiful beach with her siblings, ducking into the bush, swimming, getting plenty of fish and pipis and just taking their time along the way.

We were also welcomed by Bundjalung Elders, ancestors and wildlife at Minyumai Indigenous Protected Area (IPA), a 2,163-hectare expanse of native forest, woodlands and wetlands in the traditional country of the Bandjalang people. The field visit was arranged in partnership with World Wildlife Fund Australia—but the delicious meal of homemade bread and kangaroo stew was the exclusive domain of our hosts: Auntie Simone and her sisters. Their father was responsible for securing Minyumai for the clan back in the 1990s.

Minyumai IPA borders Bundjalung National Park and Tabbimoble Nature Reserve to form an extensive natural area of habitat that will be conserved long into the future.

Exploring the lush natural beauty of Minyumai was a learning experience—as was our day on country with Bangalow Koalas. Led by Linda Sparrow, Bangalow Koalas is working to create a forested wildlife corridor across the Northern Rivers of New South Wales and aims to plant 500,000 trees by 2025. The local nonprofit is less than 100,000 trees from meeting its goal—and our group was eager to lend a hand on our field trip, helping plant 1,320 native trees to create a place where endangered koalas can live and move safely.

Prisca Urio

Prisca Urio, a gender and youth specialist with TNC’s Tuungane project in Tanzania, talks about restoring koala habitat.

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Wow, this is an amazing experience, planting trees in Australia to restore koalas. It’s an amazing experience because myself as a woman, just taking this opportunity to plant trees in a place very far away from home, brings some good memories of back home, but also makes me think of 10 years to come, 20 years to come, when all these trees we have planted will be very big.

So, I can imagine we are leaving the mark on Australia, we as women, so even the community around can know that there were women here, Nature’s Leading Women planted these areas, so it’s just amazing to take part in restoring this part of Australia, and this is something we can do back home, to some other places that we need to restore—the areas where there are endangered species. So, it’s something that we are going to do back home, to involve other women. This shows solidarity, seeing women doing this activity with love, we are planting trees here in Australia with love, so it’s just an amazing situation, an amazing activity, an amazing experience that I’ve experienced and that I am taking back home with me.

Knowledge and Culture Exchange

A nightly weaving circle served as both icebreaker and opportunity for learnings and deepening conversations. Colorful rugs were laid out and piled high with raffia, a natural fiber derived from raffia palms, so ladies could wind down in a familiar and shared way. Small weaving projects were also the way many kept their hands busy during strategy discussions.

Zeila Wallace

Zeila Wallace of Queensland Indigenous Women Rangers Network talks about the power of the stories she heard throughout the week.

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I was grateful to be here in this space, over the couple of days here, just listening to all the women talk—women sharing their stories and the empowerment that came out of a lot of these speeches.

They’re very inspiring, the women are very inspiring. The dedication that they show, you can really tell just by listening to all their stories they all have different stories but a common goal. We’re all working in all these different spaces but we’ve all got common goals, and the respect here and the safety net that people feel they can share, so yeah, people are sitting in these rooms, like here Bryon Bay up in Brisbane, we don’t know each other, but the space feels so respectful of each other and caring, and it’s allowing people to open up and connect and share what they’re actually doing and it’s actually inspiring other women in the room.

And then you go sit down with someone else, and they’re also talking about how they inspired by it or how they like what this one said, it’s all coming together and connecting—it’s good to see that, uplifting each other and that’s the word I’m taking back from it is inspiring, very inspiring and powerful listening to those women.

A woman weaves during a workshop.
NLW 2024 Hand weaving during a workshop. © Nikita Pere

Laurissa Mundraby was one of many women who were mainstays of the nightly weaving circle—which served as both icebreaker and learning experience for me. “When the hands are busy, the mouth is open—and relationships are formed,” according to event producer Moale James-Proud.

Throughout the week, I experienced James-Proud’s observation in action. Working to position my hands correctly and remember the sequence of hook-wrap-pull through Mundraby had shown me, I kept my hands busy, listening and learning alongside women who were doing the same.

Laurissa Mundraby

Laurissa talks about the varieties of handwoven craftwork and how weaving relates to the broader theme of family.

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I guess I’ve seen a lot of woven pieces here, from our little lanyard rope necklaces to the fans, so I’m really intrigued looking at it, so I am really keen to share and learn from them and their techniques and the story behind it, and how they came into it and what it means to them and myself by sharing my experience with how I came to learning and just passing it on. Because for me, when I look at our culture especially here in Australia, and I’m going to get a little bit emotional, but it is really hard watching because of the impact that colonization has had to our people and a lot of them have been taken away and become disconnected from their lands and their culture, and for me, being in my space, whenever I get the opportunity, I take people, sit down, and connect them, and I say to them like—because some people don’t have a home, don’t know where they belong—and I’m kind of like, well just go where your heart feels like home, somewhere will call you. Because I know I’ve gone through my stages of yearning to go back home, but I’m fortunate enough to know where home is, but other people we adopt you know and take under our wings. I feel like you know you don’t pick your family, family picks you—like looking at all these ladies, yes we’re all from all over the world, but we’re becoming one big sisterhood, one big family, and I think that’s the beauty of this experience.

I discovered that mangroves are often considered “women’s spaces” in Pacific communities—communal resources for which women are collectively and primarily responsible. And as science and industry increasingly identify the ecosystem as a valuable climate solution, women are eager to amplify their voices, knowledge and know-how in local and regional decision-making.

Women with few years of formal education yet more than a century of combined Traditional wisdom shared stories of diving for lobsters and sea cucumbers in waters off the coast of West Papua. They are part of a deeply held tradition called sasi, one of the customary practices for managing marine resources in the region. Traditionally, sasi is only managed by men, but since 2010, Almina Kacili, or Mama Almina as we called her, has been a leading advocate for women-led sasi in West Papua. Her group Waifuna manages the temporary closure of 215 ocean hectares and, with TNC’s support, has replicated women-led sasi programs in two other villages.

During one session, a member of her Bahasa-speaking group expressed surprise and joy to meet others who are also working to protect their oceans. “We thought we were the only ones.”

We heard from Maasai scientist Warda Kanagwa, who recalled watching her pastoralist father navigate increasingly difficult environmental challenges, losing cattle and profits year over year. She pursued higher education to better understand why—then returned to their home in Tanzania to share regenerative rangeland management techniques that have helped her father, family and lands rebound. As a livestock and grazing officer with TNC, she’s now doing the same for pastoralists across east Africa.

Good Wishes, Not Goodbye

After a week of field visits, strategy discussions and planning sessions, we welcomed policy advocates and liaisons, researchers, and non-profit leaders for dinner, dialogue and a celebratory closing ceremony.

“Women from grassroots to government,” according to Robyn James.

As we checked out of the hotel and boarded a bus bound for multiple airport and hotel stops, our send-off messages weren’t centered on goodbye—but were anchored in the good. We shared good wishes for safe travel and future success; wished each other good luck with ongoing challenges; and made plans to communicate good news and celebrate our collective wins via our newly created group chat. Connection was the clear throughline of our week together: connection to country, to culture and to each other, in ways big and small.

Laurissa Mundraby

Laurissa Mundraby shares a universal message of hope—and call to action.

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My hope is for us all to come together, all accept one another and all work together for this planet Earth, and help us heal this planet Earth because she sustains us, she keeps us going. She’s a living, breathing thing and we can’t survive without her, so that’s my hope—that we come together and help heal her and make this world a lot better place for ourselves and the next coming generations. Thank you.

Attendees of Nature's Leading Women gather for a group photo.
NLW 2024 Group photo with Bundjalung woman, Delta Kay, after her Welcome to Country in Cavanbah. © Nikita Pere